Verse:Hmøøh/Zzea/Music - Revision history

IlL: IlL moved page Verse:Méich Bhaonnáiqh/Music to Verse:Hmøøh/Zzea/Music without leaving a redirect

2023-05-06T22:17:56Z

IlL moved page Verse:Méich Bhaonnáiqh/Music to Verse:Hmøøh/Zzea/Music without leaving a redirect

← Older revision	Revision as of 22:17, 6 May 2023
(No difference)

IlL: /* Avian music */

2022-02-23T15:01:20Z

Avian music

← Older revision		Revision as of 15:01, 23 February 2022
Line 1:		Line 1:
	== Human music ==		== Human music ==
	== ~~Avian~~ music ==		== Parrot music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory. In songs, the melody is considered part of the lyrics and the melodies follow the chord-scale the music is currently in (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	* Most early recorded bird musical traditions are overtone singing and other timbral singing traditions demanding the various timbral nuances the avian syrinx is capable of.
	* Primodality: In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes.
	* There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-23T03:31:08Z

Avian music

← Older revision		Revision as of 03:31, 23 February 2022
Line 3:		Line 3:
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory. In songs, the melody is considered part of the lyrics and the melodies follow the chord-scale the music is currently in (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory. In songs, the melody is considered part of the lyrics and the melodies follow the chord-scale the music is currently in (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		* Most early recorded bird musical traditions are overtone singing and other timbral singing traditions demanding the various timbral nuances the avian syrinx is capable of.
			* Primodality: In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes.
			* There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-23T03:21:18Z

Avian music

← Older revision		Revision as of 03:21, 23 February 2022
Line 1:		Line 1:
	== Human music ==		== Human music ==
	== Avian music ==		== Avian music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory~~; in~~ songs, lyrics ~~are spoken in~~ the chord-scale the music is currently in ~~with the tones~~ (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory. In songs, the melody is considered part of the lyrics and the melodies follow the chord-scale the music is currently in (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-23T03:19:36Z

Avian music

← Older revision		Revision as of 03:19, 23 February 2022
Line 1:		Line 1:
	== Human music ==		== Human music ==
	== Avian music ==		== Avian music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most ~~uplifted passerine birds (except parrots and crows?)~~ consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Human music */

2022-02-23T03:17:53Z

Human music

← Older revision		Revision as of 03:17, 23 February 2022
Line 1:		Line 1:
			== Human music ==
	== Avian music ==		== Avian music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most uplifted passerine birds (except parrots and crows?) consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most uplifted passerine birds (except parrots and crows?) consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-23T03:16:21Z

Avian music

← Older revision		Revision as of 03:16, 23 February 2022
Line 1:		Line 1:
	== Avian music ==		== Avian music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most birds (except parrots and crows?) consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most uplifted passerine birds (except parrots and crows?) consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-22T23:43:00Z

Avian music

← Older revision		Revision as of 23:43, 22 February 2022
Line 1:		Line 1:
	== Avian music ==		== Avian music ==
	Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most birds consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most birds (except parrots and crows?) consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-22T23:42:35Z

Avian music

← Older revision		Revision as of 23:42, 22 February 2022
Line 1:		Line 1:
	== Avian music ==		== Avian music ==
	~~Based~~ on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once).		Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most birds consider a part of language instead. Much of avian music is based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once). Both harmonic and inharmonic timbres may be used.

	In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes. There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.

IlL: /* Avian music */

2022-02-22T23:31:28Z

Avian music

← Older revision		Revision as of 23:31, 22 February 2022
Line 2:		Line 2:
	Based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once).		Based on chord-scale theory; in songs, lyrics are spoken in the chord-scale the music is currently in with the tones (most passerine languages in Méich Bhaonnáiqh are tonal and some even require producing two notes at once).

	~~Primodality~~ is invented by bird ~~uplifts and is used~~ to ~~give~~ colors to chord-scales ~~or to~~ sung dyad phonemes.		In Méich Bhaonnáiqh, primodality is invented by a bird uplift; birds use primodality to impart colors to chord-scales and sung dyad phonemes.