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| Base on oneiro (5L 3s) at first, then 26edo?
| | diatonic[12] but: |
| | | * less modulation than in Euro music |
| h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible.
| | * modes of harmonic and melodic minor |
| | | * augmented[6] and augmented[9] more common |
| == Todo ==
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| Should "pegol" be the Eevo name for the approximate 3L 2s in Crackfic Tricin, coming from **penkw-ālos from an IE substrate
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| == Imperial Windermere music ==
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| "What if gamelan had very sharp fifths instead of very flat ones like pelog"
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| Based on 3L 2s scales; was monophonic and played on inharmonic instruments.
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| == Post-Revolt music ==
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| All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
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| Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
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| == Modern music ==
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| == Contemporary music==
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| Schngaoife writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
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| * Suite on the Medieval Talman Pegol
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