Verse:Irta/Music: Difference between revisions

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Should be heavily influenced by Buddhist cultures by the end of 2nd Remonition
Should be heavily influenced by Buddhist cultures by the end of 2nd Remonition


So Bach isn't really a thing at all
So Bach (and our functional harmony?) isn't really a thing at all


== Tsarfati ==
== Tsarfati ==

Revision as of 07:15, 16 January 2022

European Christian music

Same as in our timeline up to the First Remonitionist Reformation

Should be heavily influenced by Buddhist cultures by the end of 2nd Remonition

So Bach (and our functional harmony?) isn't really a thing at all

Tsarfati

Cantillation

Liturgy uses diatonic modes:

  • Torah readings use Dorian
  • Haftarot use Aeolian
  • Non-Eicha Megillot use Mixolydian
  • Eicha uses Phrygian
  • Most blessings use Dorian
  • Some blessings and prayers use Lydian

Todo: Cantillation tropes

Folk music

Tsarfati Jewish folk songs are known as טאָנאהאן donăthăn in Ăn Yidiș (singular טאָן don; cognate to Irish dán 'poem (among other meanings)'). They may be in Ăn Yidiș or in a macaronic mixture of Ăn Yidiș, Hebrew, and other languages. They have some traditional Hivantish and Irish elements but are unique. Like in our timeline, Hasidic Judaism is also an influence with its emphasis on dancing, devotion, and wordless melodies.

Instruments from Gaelic music:

  • pib-ilăn - uilleann pipes
  • fethăł (from in-universe OIr **fethal, from Early Romance *vitola) - fiddle
  • cłorșăch - a version of the Celtic harp (If you say "Jew's harp" in Irta they'd likely think you mean this.)

Instruments from Hivantish music:

  • șeyņăł - kantele

Modern cłorșăchăn are usually electro-acoustic.

Crackfic Irta

Bjeheond

Cualand

Hebrew cantillation

Cantillation tropes in Cualand are inspired by Windermere/Lakovic chanting.