User:IlL/Spare pages 1/62: Difference between revisions
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A ''haṅier'' (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords) or a ''pezeom'', a pentatonic subset where 1\24 is not used as a step. Different styles encourage different subset use. | A ''haṅier'' (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords) or a ''pezeom'', a pentatonic subset where 1\24 is not used as a step. Different styles encourage different subset use. | ||
===''Buri''s=== | ===''Buri''s=== | ||
The six possible | The six possible ''buri''s are: | ||
*0-200-400-450-500 | *0-200-400-450-500 | ||
*0- | *0-200-250-450-500 | ||
*0-200-250-300-500 | |||
*0-50-250-450-500 | |||
*0-50-250-300-500 | |||
*0-50-100-300-500 (rare) | |||
The top note functions similarly to the ''ghammaz'' in Arabic ''ajnas''. | The top note of a ''buri'' functions similarly to the ''ghammaz'' in Arabic ''ajnas''. | ||
A style that emphasizes ''buri''s is preferred for dark, mournful or creepy music (to emphasizing ''pezeom''s). | A style that emphasizes ''buri''s is preferred for dark, mournful or creepy music (to emphasizing ''pezeom''s). | ||
Revision as of 05:38, 28 October 2020
EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)
Netagin music
Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts (such as liturgical music), a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.
A haṅier (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two buri (pentachords or hexachords) or a pezeom, a pentatonic subset where 1\24 is not used as a step. Different styles encourage different subset use.
Buris
The six possible buris are:
- 0-200-400-450-500
- 0-200-250-450-500
- 0-200-250-300-500
- 0-50-250-450-500
- 0-50-250-300-500
- 0-50-100-300-500 (rare)
The top note of a buri functions similarly to the ghammaz in Arabic ajnas.
A style that emphasizes buris is preferred for dark, mournful or creepy music (to emphasizing pezeoms).
Pezeoms
Common pezeoms are:
- 0-250-500-700-950-1200 ("the most neutral-sounding")
- 0-200-400-700-900-1200 ("mellow and joyful")
- 0-200-400-700-950-1200 ("majestic")
- 0-250-450-700-950-1200 ("slightly sad")
- 0-200-450-700-950-1200
- 0-250-500-750-950-1200
- 0-250-450-750-950-1200
- 0-300-500-700-1000-1200
- 0-300-500-700-950-1150
- 0-250-550-800-1000-1200
Pezeoms in various semaphore[9] modes:
- Megalonian (LLsLsLsLs): 0-200-400-700-900 (meantone pentatonic), 0-200-400-700-950, 0-200-450-700-900, 0-200-450-700-950
- Biollantian (LsLLsLsLs): 0-200-450-700-900, 0-250-450-700-900, 0-200-450-700-950, 0-250-450-700-950
Harmony
Shalaian music
Take subsets of 46edo
Ouřefr music
19edo due to Netagin influence